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by Moyo Okediji,Tejumola Olaniyan,James H. Sweet

eBook The African Diaspora and the Disciplines download ISBN: 0253354641
Author: Moyo Okediji,Tejumola Olaniyan,James H. Sweet
Publisher: Indiana University Press (June 4, 2010)
Language: English
Pages: 376
ePub: 1306 kb
Fb2: 1345 kb
Rating: 4.2
Other formats: lrf mobi rtf lit
Category: Political
Subcategory: Social Sciences

11. Semioptics of Africana Art History Moyo Okediji.

African Diaspora Disciplines MECH. He is author of Arrest the Music! (Indiana University Press, 2004). African Diaspora and the Disciplines -. Percy Hintzen, University of California, Berkeley. Indiana University Press. Bloomington and Indianapolis. 11. 234. 12. Out of Context: Thinking Cultural Studies Diasporically Grant Farred.

Includes bibliographical references and index. Personal Name: Olaniyan, Tejumola. Sweet, James H. (James Hoke). Rubrics: African diaspora Study and teaching (Higher) Congresses. Personal Name: Sweet, James H. Download PDF book format. Download DOC book format.

Tejumola Olaniyan, James H. Sweet, and the international group of contributors assembled here seek to enlarge understanding of how the diaspora is conceived and explore possibilities for the future of its study

Tejumola Olaniyan, James H. Sweet, and the international group of contributors assembled here seek to enlarge understanding of how the diaspora is conceived and explore possibilities for the future of its study. Sweet, and the international group o. .Tejumola Olaniyan, James H. Ultimately, they advocate a fuller sense of what it means to study the African diaspora in a truly global way. Table of Contents.

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The African Diaspora and the Disciplines. Published: 4th June 2010. Arrest the Music! Fela and His Rebel Art and Politics. By Tejumola Olaniyan.

Olaniyan's main interests were: Africa and its diaspora; African-American, Caribbean, and African literatures; criticism, post-cultural studies, history, theory and the sociology of drama; and pop culture (art, music.

Olaniyan's main interests were: Africa and its diaspora; African-American, Caribbean, and African literatures; criticism, post-cultural studies, history, theory and the sociology of drama; and pop culture (art, music, and architecture).

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Focusing on the problems and conflicts of doing African diaspora research from various disciplinary perspectives, these essays situate, describe, and reflect on the current practice of diaspora scholarship. Tejumola Olaniyan, James H. Sweet, and the international group of contributors assembled here seek to enlarge understanding of how the diaspora is conceived and explore possibilities for the future of its study. With the aim of initiating interdisciplinary dialogue on the practice of African diaspora studies, they emphasize learning from new perspectives that take advantage of intersections between disciplines. Ultimately, they advocate a fuller sense of what it means to study the African diaspora in a truly global way.