eBook Maarten Van Heemskerck and Dutch Humanism in the Sixteenth Century download
by Ilja M. Veldman
Author: Ilja M. Veldman
Publisher: Imprint unknown; First English Language Edition edition (August 1977)
ePub: 1672 kb
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December 14, 2009 History by Ilja M. Veldman. Published 1977 by Meulenhoff in Amsterdam Times.
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Maerten van Heemskerck or Marten Jacobsz Heemskerk van Veen (1 June 1498 – 1 October 1574) was a Dutch portrait and religious painter, who spent most of his career in Haarlem. He was a pupil of Jan van Scorel, and adopted his teacher's Italian-influenced style. He spent the years 1532–6 in Italy. He produced many designs for engravers, and is especially known for his depictions of the Wonders of the World.
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Maarten van Heemskerck and Dutch Humanism in the Sixteenth Century. Veldman, Ilja Maria was born on September 10, 1944 in Amsterdam. Daughter of Harm Veldman and Maria (Kronemeyer. Doctor, University Amsterdam, 1969. Doctor of Philosophy in History of Art, University Amsterdam, 1977. Assistant professor Department Art History, University Amsterdam, 1969-1984. Professor art history Free University Amsterdam, since 1984.
Maarten van Heemskerck and Dutch humanism in the 16th century, Michael Hoyle, Ilja M. Veldman, p. 58;p. 58 (af. Brun - Coques, p. 230, ca. r. Questions? Do you have a remark or extra information on this object?
Van Veen, Maarten van Heemskerck’s father. Maarssen, The Netherlands, 1977, pp. 145–46, ill.
Van Veen, Maarten van Heemskerck’s father. An inscription in Dutch at the bottom of the portrait, appearing as Gothic calligraphy against a stone parapet, can be translated as "My son portrayed me here when I had lived 75 years so they say". Rainald Grosshans.
Maerten (or Maarten) van Heemskerck was born in 1498, the son of Jacob Willemsz. The artist is named after Heemskerk, the village of his birth, which lies a short distance to the north of Haarlem. According to Carel van Mander, whose Schilder-Boek of 1604 is an important source of information, Heemskerck first studied with Cornelis Willemsz. in Haarlem and then with Jan Lucasz.
The work of Maarten van Heemskerck occupies a special position in 16th-century Netherlandish ar.
The work of Maarten van Heemskerck occupies a special position in 16th-century Netherlandish art. In addition to traditional religious themes, which he treated as if unaffected by the Reformation . Never before was such an interest in humanism, evidenced both by the choice and handling of certain subjects, so clearly presented in the work of an artist of the Northern Netherlands. Preparatory Study Pictorial Tradition Famous Painter Latin Verse Municipal Archive. These keywords were added by machine and not by the authors. This process is experimental and the keywords may be updated as the learning algorithm improves.
Maarten van Heemskerck’s Rome concludes with the first ever catalog to bring together all of Van Heemskerck’s ruin . The sequence ends with representation in the 17th Dutch paintings of iconoclasm scenes in interior’s views of the churches.
Maarten van Heemskerck’s Rome concludes with the first ever catalog to bring together all of Van Heemskerck’s ruin drawings in state-of-the-art digital photography.