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eBook Black Venus 2010: They Called Her Hottentot download

by Deborah Willis

eBook Black Venus 2010: They Called Her Hottentot download ISBN: 1439902046
Author: Deborah Willis
Publisher: Temple University Press (January 8, 2010)
Language: English
Pages: 256
ePub: 1953 kb
Fb2: 1845 kb
Rating: 4.2
Other formats: docx lit doc azw
Category: Literature
Subcategory: History and Criticism

Black Venus 2010" traces Baartman's memory in our collective histories, as well as her symbolic history in the construction and identity of black women as artists, performers, and icons.

Black Venus 2010" traces Baartman's memory in our collective histories, as well as her symbolic history in the construction and identity of black women as artists, performers, and icons. The wide-ranging essays, poems, and images in "Black Venus 2010" represent some of the most compelling responses to Baartman. Each one grapples with the enduring legacy of this young African woman who forever remains a touchstone for black women.

Black Venus 2010: They C. .has been added to your Cart. The book moves from Baartman's life and times to an assessment of the figure of the "Hottentot Venus" in contemporary art and a broader consideration of the historic public display of black women. Appended is a photo gallery that is as essential and diverse as the texts.

Black Venus, 2010 : they called her "Hottentot". While Smithsonian curator Deborah Willis is proud of "Reflections in Black," an exhibition of African American photography, suffering clouds her satisfaction. Philadelphia, P. Temple University Press. Philadelphia Inquirer, April 2, 2000.

As a young South African woman of about twenty, Saartjie Baartman, the so-called OC Hottentot Venus, OCO was brought to London and placed on exhibit in 1810

As a young South African woman of about twenty, Saartjie Baartman, the so-called OC Hottentot Venus, OCO was brought to London and placed on exhibit in 1810. Clad in the Victorian equivalent of a body stocking, and paraded through the streets and on stage in a cage she became a human spectacle in London and Paris.

Black Venus 2010traces Baartman's memory in our collective histories, as well as her . This anthologyof art, critical writings, poetry, and prose on and around the subject of Sarah, or Saartjie, Baartman, the so-called Hottentot Venus, has been a long time coming.

Black Venus 2010traces Baartman's memory in our collective histories, as well as her symbolic history in the construction and identity of black women as artists, performers, and icons. The wide-ranging essays, poems, and images inBlack Venus 2010represent some of the most compelling responses to Baartman. The contributions in this collection are scholarly and lyrical, historical and reflexive, capturing the spirit of a new body of literature about Baartman.

Deborah Willis, "Black Venus 2010: They Called Her "Hottentot" " Temple University Press 2010 ISBN: 1439902054 256 pages PDF 2,2 MB. As a young South African woman of about twenty, Saartjie Baartman, the so-called "Hottentot Venus," was brought to London and placed on exhibit in 1810. Baartman's distinctive physique became the object of ridicule, curiosity, scientific inquiry, and.

Philadelphia: Temple University Press

Philadelphia: Temple University Press. In this collection of scholarly essays, poetry, visual art, and reflective prose, Deborah Willis has compiled a truly interdisciplinary analysis of the life and image of Sarah Baartman, the so-called "Hottentot Venus. Born in South Africa in 1789, Baartman became one of the most infamous examples of the European obsession with black women's bodies when she was placed on display (often in a cage while wearing a flesh-colored bodysuit) in London in 1810 and in Paris.

They Called Her Hottentot. p. cm. Includes bibliographical references and index. TEMPLE UNIVERSITY PRESS Philadelphia. TEMPLE UNIVERSITY PRESS 1601 North Broad Street Philadelphia, Pennsylvania 19122 ww. emple. ISBN 978-1-4399-0204-2 (cloth : alk. paper) ISBN 978-1-4399-0205-9 (pbk. : alk. paper) 1. Baartman, Sarah. I. Willis, Deborah, 1948–. B33B58 2010 30. 8'8961-dc22.

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Discusses Sarah Baartman's life as an ethnographic specimen in the early nineteenth century, and assesses her representation as the "Hottentot Venus" in contemporary art and the broader issue of the historic display of black women in history.