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by Axel Englund

eBook Still Songs: Music In and Around the Poetry of Paul Celan download ISBN: 1409422623
Author: Axel Englund
Publisher: Routledge; 1 edition (February 2, 2018)
Language: English
Pages: 256
ePub: 1162 kb
Fb2: 1228 kb
Rating: 4.1
Other formats: txt doc rtf mbr
Category: Literature
Subcategory: History and Criticism

These are the core questions of Axel Englund's book, which is the first to address the topic of Paul Celan and . Paul-Heinz Dittrich's composition Fahlstimmig is a complex 17-part attempt to engage with the poetry of Paul Celan, based on one of the poet's best-known texts

These are the core questions of Axel Englund's book, which is the first to address the topic of Paul Celan and music. Do you want to read the rest of this article? Request full-text. Thomas compares the representation of text as space (and space as text) in the work of Paul Celan and J. H. Prynne. Paul-Heinz Dittrich's composition Fahlstimmig is a complex 17-part attempt to engage with the poetry of Paul Celan, based on one of the poet's best-known texts. In his reaction to Celan, Dittrich avoids all superficial confidence and plasticity.

Goodreads helps you keep track of books you want to read. Start by marking Still Songs: Music In and Around the Poetry of Paul Celan as Want to Read: Want to Read savin. ant to Read.

These are the core questions of Axel Englund's book, which is the first to address the topic of Paul Celan and music

These are the core questions of Axel Englund's book, which is the first to address the topic of Paul Celan and music. Conversely, few post-war writers have inspired as large a body of contemporary music, including works by Harrison Birtwistle, Gyoergy Kurtag, Wolfgang Rihm, Peter Ruzicka and many others.

Axel Englund shows with meticulous argument and in lucid prose that Celan's lifelong return to figures of music .

Axel Englund shows with meticulous argument and in lucid prose that Celan's lifelong return to figures of music forms a key arena for the playing out of his conflicted identity as a modern poet, and in particular as a poet whose modernity is over determined - but far from exhausted - by his experience as a survivor of the Holocaust. Lawrence Kramer, Fordham University, USA 'Axel Englund's sophisticated study of Paul Celan combines the insights of a philologist with the keen ear of a t

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Download PDF book format. Englund addresses music both as a thematic and structural presence in the poems themselves and as their sounding interlocutor in musical works by Harrison Birtwistle, Gyo?rgy Kurta?g, Wolfgang Rihm, Peter Ruzicka, and many others", Provided by publisher.

Tidskrift för litteraturvetenskap. In: Tidskrift för litteraturvetenskap. AU - Kaunonen, Leena.

Music In and Around the Poetry of Paul Celan}, author {Ursula Geisler}, year {2012} }. Ursula Geisler. Abstract in German Die Lekture von Still Songs eroffnet einen neuen, interessanten und zugleich kritischen Blick auf Celans „MusikGedichte und deren Vertonungen und auf die Celan-Forschung uberhaupt.

Paul Celan was born Paul Antschel in Czernovitz, Romania, to a German-speaking Jewish family. His surname was later spelled Ancel, and he eventually adopted the anagram Celan as his pen name. In 1938 Celan went to Paris to study medicine, but returned to Romania before the outbreak of World War II. During the war Celan worked in a forced labor camp for 18 months; his parents were deported to a Nazi concentration camp. His father most likely died of typhus and his mother was shot after being unable to work

Still Songs: Music In and Around the Poetry of Paul Celan. Farnham: Ashgate, 2012. Celan, Paul, and Axel Gellhaus. Paul Antschel/Paul Celan in Czernowitz, Deutsche 2001.

Still Songs: Music In and Around the Poetry of Paul Celan. Poetry as Individuality: The Discourse of Observation in Paul Celan. Bucknell University Press, 2010. Celan Studies Peter Szondi, translated by Susan Bernofsky and Harvey Mendelsohn (2003).

What does it mean for poetry and music to turn to each other, in the shadow of the Holocaust, as a means of aesthetic self-reflection? How can their mutual mirroring, of such paramount importance to German Romanticism, be reconfigured to retain its validity after the Second World War? These are the core questions of Axel Englund's book, which is the first to address the topic of Paul Celan and music. Celan, a Jewish Holocaust survivor who has long been recognized as one of the most important poets of the German language, persistently evoked music and song in his oeuvre, from the juvenilia to the posthumous collections. Conversely, few post-war writers have inspired as large a body of contemporary music, including works by Harrison Birtwistle, György Kurtág, Wolfgang Rihm, Peter Ruzicka and many others. Through rich close readings of poems and musical compositions, Englund's book engages the artistic media in a critical dialogue about the conditions of their existence. In so doing, it reveals their intersection as a site of profound conflict, where the very possibility of musical and poetic meaning is at stake, and confrontations of aesthetic transcendentality and historical remembrance are played out in the wake of twentieth-century trauma.