carnevalemanfredonia.it
» » Romanticism and the Gothic: Genre, Reception, and Canon Formation (Cambridge Studies in Romanticism)

eBook Romanticism and the Gothic: Genre, Reception, and Canon Formation (Cambridge Studies in Romanticism) download

by Michael Gamer

eBook Romanticism and the Gothic: Genre, Reception, and Canon Formation (Cambridge Studies in Romanticism) download ISBN: 0521773288
Author: Michael Gamer
Publisher: Cambridge University Press (September 4, 2000)
Language: English
Pages: 274
ePub: 1867 kb
Fb2: 1483 kb
Rating: 4.8
Other formats: doc rtf lit rtf
Category: Literature
Subcategory: History and Criticism

Электронная книга "Romanticism and the Gothic: Genre, Reception, and Canon Formation", Michael Gamer

Электронная книга "Romanticism and the Gothic: Genre, Reception, and Canon Formation", Michael Gamer. Эту книгу можно прочитать в Google Play Книгах на компьютере, а также на устройствах Android и iOS. Выделяйте текст, добавляйте закладки и делайте заметки, скачав книгу "Romanticism and the Gothic: Genre, Reception, and Canon Formation" для чтения в офлайн-режиме.

Romanticism and the Gothic book. Romanticism and the Gothic: Genre, Reception, and Canon Formation.

And the complete omission of both Shelleys in a book on "Romanticism and the Gothic" may leave some disappointed.

Home Browse Books Book details, Romanticism and the Gothic: Genre .

Home Browse Books Book details, Romanticism and the Gothic: Genre, Reception,.

Romanticism and the Gothic. Genre, Reception, and Canon Formation. The ghost of a forgotten form of sleep’: The Gothic in Shelley's ‘The Triumph of Life’. Gothic Studies, Vol. 5, Issue. Burroughs, Catherine 2003. The Broadview Anthology of Romantic Drama. The Pitt Building, Trumpington Street, Cambridge, United Kingdom. The Edinburgh Building, Cambridge, UK ww. up. uk West th Street, New York, –, USA ww. Stamford Road, Oakleigh, Melbourne, Australia Ruiz de Alarco´n, Madrid, Spain. Subject to statutory exception and to the provisions of relevant collective licensing agreements, no reproduction of any part may. take place without the written permission of Cambridge University Press.

The first book to examine how Romantic writers revised and transformed poetic collections to reach new .

The first book to examine how Romantic writers revised and transformed poetic collections to reach new audiences and manipulate their public presence. Far from naive or unworldly, Romantic writers were consciously concerned with the image they portrayed and with questions of authorized repackaging, intellectual property, profit, and loss. Series: Cambridge Studies in Romanticism (Book 114).

edu and the wider internet faster and more securely, please take a few seconds to upgrade your browser. Cambridge Studies in Romanticism. Cambridge University Press: hardcover 2000; paperback 2006.

Michael Gamer analyzes how and why Romantic writers drew on Gothic .

book by Michael Gamer.

Michael Gamer, Romanticism and the Gothic: Genre, Reception, and Canon Formation (Cambridge: Cambridge University Press, 2000) 2. rossRefGoogle Scholar. 2. David Punter, The Literature of Terror: a History of Gothic Fictions from 1765 to the Present Day 2nd edn (London and New York: Longman, 1996). CrossRefGoogle Scholar. 4. Robert D. Hume, Gothic versus Romantic: a revaluation of the Gothic novel, PMLA 84 (1969) 282–90.

This is the first full-length study to examine the links between high Romantic literature and what has often been thought of as a merely popular genre--the Gothic. Michael Gamer analyzes how and why Romantic writers drew on Gothic conventions while, at the same time, denying their influence in order to claim critical respectability. He shows how the reception of Gothic literature played a fundamental role in the development of Romanticism as an ideology, tracing the politics of reading, writing and reception at the end of the eighteenth century.