carnevalemanfredonia.it
» » Love and Ideology in the Afternoon: Soap Opera, Women and Television Genre (Arts and Politics of the Everyday)

eBook Love and Ideology in the Afternoon: Soap Opera, Women and Television Genre (Arts and Politics of the Everyday) download

by Laura Stempel Mumford

eBook Love and Ideology in the Afternoon: Soap Opera, Women and Television Genre (Arts and Politics of the Everyday) download ISBN: 0253328799
Author: Laura Stempel Mumford
Publisher: Indiana University Press (August 22, 1995)
Language: English
Pages: 176
ePub: 1961 kb
Fb2: 1339 kb
Rating: 4.1
Other formats: txt azw txt rtf
Category: Humour
Subcategory: Television

Laura Stempel Mumford asks, and her answer emerges in a feminist analysis of soap opera that participates in current . The rest of the book is boring. I'm interested in soap opera from a critical perspective, and the two books I've found on this topic so far have been tedious.

Laura Stempel Mumford asks, and her answer emerges in a feminist analysis of soap opera that participates in current debates about popular culture, television, and ideology. She argues that the conventional daytime soap has an implicit and at times explicit political agenda that cooperates in the "teaching" of male dominance and the related oppressions of racism, classism, and heterosexism - so that they seem inevitable

Why do I like soap operas? Laura Stempel Mumford asks, and her answer emerges in a feminist analysis of soap opera that participates in current debates about.

Why do I like soap operas? Laura Stempel Mumford asks, and her answer emerges in a feminist analysis of soap opera that participates in current debates about.

Soap Opera Women Operas Audience. or not soap operas can be defined or judged to be fundamentally a woman's genre of television is the associations of the family and. The Evolution Of The Family On Television.

Love and Ideology in the Afternoon: Soap Opera, Women, and Television Genre. Upon its first publication, Loving with a Vengeance was a groundbreaking study of women readers and their relationship to mass-market romance fiction. Laura Stempel Mumford.

Love and ideology in the afternoon : soap opera, women, and television genre by Laura Stempel Mumford. Bloomington ; Indianapolis : Indiana University Press, c1995. Soap Opera" - the label connotes both the birth of the genre in America in the 1940s, devised and sponsored by soap manufacturers to sell their products. It also connotes a domestic setting, and the contrast with the epic and melodramatic forms of high cultural 'products', Opera. She argues that the conventional daytime soap has an implicit and at times explicit political agenda that cooperates in the "teaching" of male dominance and the related oppressions of racism, classism, and heterosexism-so that they seem inevitable

Mumford, Laura Stempel. Arts and politics of the everyday

Mumford, Laura Stempel. Arts and politics of the everyday. Contents: Viewing histories and textual difficulties - What is this thing called soap opera? - - Public exposure: privacy and the construction of the soap opera community - How things end: the problem of closure - Plotting paternity: looking for dad on the daytime soaps - Beyond soap opera: ideology, intertextuality, and the future of a television genre. Communicating gender in the public sphere: Women and information technologies in the MENA. Bloomington, IA: Indiana University Press. Syrian soap opera captivates Arab world. Satellite television and development in the Middle East. Journal of Middle East Women’s Studies, 2(2), 35–59.

Find nearly any book by Laura Stempel Mumford. Get the best deal by comparing prices from over 100,000 booksellers. by Laura Stempel Mumford.

"Why do I like soap operas?" Laura Stempel Mumford asks, and her answer emerges in a feminist analysis of soap opera that participates in current debates about popular culture, television, and ideology. She argues that the conventional daytime soap has an implicit and at times explicit political agenda that cooperates in the "teaching" of male dominance and the related oppressions of racism, classism, and heterosexism -- so that they seem inevitable. All My Children, General Hospital, Another World, One Life to Live, Days of Our Lives, The Young and the Restless: a close reading of their texts will also answer some larger questions about television and its place in the broad landscape of popular culture.