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eBook Queer Voices: Technologies, Vocalities, and the Musical Flaw (Critical Studies in Gender, Sexuality, and Culture) download

by F. Jarman-Ivens

eBook Queer Voices: Technologies, Vocalities, and the Musical Flaw (Critical Studies in Gender, Sexuality, and Culture) download ISBN: 0230105904
Author: F. Jarman-Ivens
Publisher: Palgrave Macmillan; 2011 edition (May 27, 2011)
Language: English
Pages: 192
ePub: 1130 kb
Fb2: 1656 kb
Rating: 4.8
Other formats: mbr lrf lrf txt
Category: Different
Subcategory: Humanities

Queer Voices Technologies, Vocalities, and the Musical Flaw Critical Studies in Gender, Sexuality, a. Dwayne Kinnear.

Queer Voices Technologies, Vocalities, and the Musical Flaw Critical Studies in Gender, Sexuality, a.

Queer Voices: Technologies, Vocalities, and the Musical Flaw (Critical Studies in Gender, Sexuality, and Culture). Download (pdf, . 2 Mb) Donate Read. Epub FB2 mobi txt RTF. Converted file can differ from the original. If possible, download the file in its original format.

Jarman-Ivens F. (2011) Introduction: Voice, Queer, Technologies. Palgrave Macmillan’s Critical Studies in Gender, Sexuality, and Culture. Palgrave Macmillan, New York. 1057/9780230119550 1.

Critical Studies in Gender, Sexuality, and Culture. Freya Jarman-Ivens is one of the most insightful scholars writing on vocality, especially as it relates to matters of sexuality and sexual identity

Critical Studies in Gender, Sexuality, and Culture. Technologies, Vocalities, and the Musical Flaw. Freya Jarman-Ivens is one of the most insightful scholars writing on vocality, especially as it relates to matters of sexuality and sexual identity. Although she makes skillful use of theory when and where it counts, it is clear that her primary desire is to communicate ideas, and this she does in engaging style. Anyone who has been terrified by Diamanda Galás, or responded with a somatic thrill to the voice of Maria Callas or Karen Carpenter, will find this book difficult to put down.

Поиск книг BookFi BookSee - Download books for free. Queer Voices: Technologies, Vocalities, and the Musical Flaw (Critical Studies in Gender, Sexuality, and Culture). 2 Mb. Home Networking Annoyances.

Semantic Scholar extracted view of "Queer Voices: Technologies, Vocalities and the . Intersectional Androgyny in Cyberspace: Gender, Commercialization, and Vocality in Female Ryouseiruis' Music Videos.

Semantic Scholar extracted view of "Queer Voices: Technologies, Vocalities and the Musical Flaw" by Freya Jarman. oceedings{Jarman2011QueerVT, title {Queer Voices: Technologies, Vocalities and the Musical Flaw}, author {Freya Jarman}, year {2011} }. Freya Jarman. Claiming Queer Territory in the Study of Subcultures and Popular Music.

FREYA JARMAN-IVENS Lecturer in Music at the University of Liverpool, U.

Freya Jarman-Ivens is one of the most insightful scholars writing on vocality, especially as it relates to matters of sexuality and sexual identity. Anyone who has been terrified by Diamanda Galás, or responded with a somatic thrill to the voice of Maria Callas or Karen Carpenter, will find this book difficult to put down

Critical Studies in Gender, Sexuality, and Culture.

Using case studies from different repertoires, the book demonstrates how queer emerges particularly audibly when the voice is heard to engage with various technologies: the external technologies of music performances and recordings, technologies of power, or the internal technologies of vocal production itself"-. Queer Voices" sets out both to queer the musicological and to make queer audible, arguing that the voice, particularly the singing voice, opens up a richly queer space. Critical Studies in Gender, Sexuality, and Culture.

This book argues that there are some important implications of the role the voice plays in popular music when thinking about processes of identification. The central thesis is that the voice in popular music is potentially uncanny (Freud's unheimlich), and that this may invite or guard against identification by the listener.