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eBook British Music and Modernism, 1895–1960 download

by Matthew Riley

eBook British Music and Modernism, 1895–1960 download ISBN: 0754665852
Author: Matthew Riley
Publisher: Routledge; 1 edition (June 28, 2010)
Language: English
Pages: 352
ePub: 1917 kb
Fb2: 1756 kb
Rating: 4.2
Other formats: lrf lit mobi lrf
Category: Different
Subcategory: Humanities

Start by marking British Music and Modernism, 1895-1960 as Want to Read . This book brings together contributions from scholars working in analysis, hermeneutics, reception history, critical theory and the history of ideas

Start by marking British Music and Modernism, 1895-1960 as Want to Read: Want to Read savin. ant to Read. This book brings together contributions from scholars working in analysis, hermeneutics, reception history, critical theory and the history of ideas.

has been added to your Cart. Dr Matthew Riley, Senior Lecturer in Music, University of Birmingham, UK.

Dr Matthew Riley, Senior Lecturer in Music, University of Birmingham, UK show more

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This book brings together contributions from scholars working in analysis, hermeneutics, reception history, critical theory and the history of ideas.

Imaginative analytical and critical work on British music of the early twentieth century has been hindered by. .Books related to British Music and Modernism, 1895-1960. More by Matthew Riley. Nation and Classical Music.

Imaginative analytical and critical work on British music of the early twentieth century has been hindered by perception. Musical Listening in the German Enlightenment.

Published version (via Digital Object Identifier).

Items related to British Music and Modernism, 1895-1960. British Music and Modernism, 1895-1960. ISBN 13: 9781138246027.

3 ‘British Music in the Modern World’, 1. 6 The proceedings were recorded (video and audio) and are archived at

3 ‘British Music in the Modern World’, 18. 4 Harper-Scott, J. P. Edward Elgar, Modernist (Cambridge: Cambridge University Press, 2006). 7 The programme is archived at

Dr Matthew Riley, Senior Lecturer in Music, University of Birmingham, U.

The results are often remarkable, and this book is essential reading for anyone interested in twentieth-century British music or the development of modernist music more generally. Journal of the Society for Musicology in Ireland a refreshing contrast to the heavy-handedness of much literary criticism', The Journal .

Imaginative analytical and critical work on British music of the early twentieth century has been hindered by perceptions of the repertory as insular in its references and backward in its style and syntax, escaping the modernity that surrounded its composers. Recent research has begun to break down these perceptions and has found intriguing links between British music and modernism. This book brings together contributions from scholars working in analysis, hermeneutics, reception history, critical theory and the history of ideas. Three overall themes emerge from its chapters: accounts of British reactions to Continental modernism and the forms they took; links between music and the visual arts; and analysis and interpretation of compositions in the light of recent theoretical work on form, tonality and pitch organization.