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eBook America First: Naming the Nation in US Film download

by Mandy Merck

eBook America First: Naming the Nation in US Film download ISBN: 0415374952
Author: Mandy Merck
Publisher: Routledge; 1 edition (April 27, 2007)
Language: English
Pages: 328
ePub: 1872 kb
Fb2: 1706 kb
Rating: 4.8
Other formats: lrf rtf lit txt
Category: Different
Subcategory: Humanities

Start by marking America First: Naming the Nation in Us Film as Want to Read: Want to Read saving.

Goodreads helps you keep track of books you want to read. Start by marking America First: Naming the Nation in Us Film as Want to Read: Want to Read savin. ant to Read. America First: Naming.

Mandy Merck is Professor of Media Arts at Royal Holloway, University of London. She is the author of Perversions: Deviant Readings (1993), In Your Face: Nine Sexual Studies (2000) and Hollywood's American Tragedies (forthcoming 2007).

An American in Paris’, in Mandy Merck (e., America First: Naming the Nation in US Film, Oxford and New York . Mandy: Daughter of Transition', in Charles Barr (e., All Our Yesterdays: 90 Years of British Cinema, London: British Film Institute, 1986., America First: Naming the Nation in US Film, Oxford and New York: Routledge, 2007. An American in Paris (film). Portrait of a Lady: Sofia Coppola’, Sight and Sound vol. 16, no. 11, November 2006. Melodrama and the Women's Picture', in Sue Aspinall and Robert Murphy (eds), BFI Dossier 18: Gainsborough Melodrama, London: British Film Institute, 1983. Gainsborough melodramas.

You know, this is the way we eat in America The films of a nation reflect its mentality in a more direct way than other artistic media for two reasons: First, films are never the product of a. .

You know, this is the way we eat in America. I got my meat, I got my potatoes, I got my vegetables, I got my dessert, and I don’t even have to wash the dishes. Perhaps a better title for the book would have been Americans First: Naming the Nationals in US Film. The films of a nation reflect its mentality in a more direct way than other artistic media for two reasons: First, films are never the product of an individual. Second, films address themselves, and appeal, to the anonymous multitude. To be sure, American audiences receive what Hollywood wants them to want; but in the long run public desires determine the nature of Hollywood.

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Naming the Nation in US Film.

Naming the Nation in US Film.

Merck, Mandy, ed. (2007). America First: Naming the Nation in US Film.

What we do. Every page goes through several hundred of perfecting techniques; in live mode. Merck, Mandy, ed. p. 94. ISBN 0-415-37495-2.

"An American in Paris"’, in Mandy Merck (e., "America First: Naming the Nation in US Film", Oxford and New ., "America First: Naming the Nation in US Film", Oxford and New York: Routledge, 2007. An American in Paris (film) ‘Portrait of a Lady: Sofia Coppola’, "Sight and Sound" vol. 'Women in the Western', in Edward Buscombe (e., "The BFI Companion to the Western", London: British Film Institute/André Deutsch, 1988.

Collecting together critical essays, this anthology approaches cinematic refractions of American identity & examines some of the many US films that have underscored their role in interpreting & constituting 'America' by announcing themselves as 'American'

Collecting together critical essays, this anthology approaches cinematic refractions of American identity & examines some of the many US films that have underscored their role in interpreting & constituting 'America' by announcing themselves as 'American'. It is useful for the students of American cultural & film studies.

These films have underscored their role in interpreting and constituting ‘America’ by announcing themselves as titulary ‘American’, writes Mandy Merck in her book America First: Naming The Nation In US Film, which traces it all back to 19th-century French historian Alexis d.

These films have underscored their role in interpreting and constituting ‘America’ by announcing themselves as titulary ‘American’, writes Mandy Merck in her book America First: Naming The Nation In US Film, which traces it all back to 19th-century French historian Alexis de Tocqueville’s description of the country as exceptional.

At a time when the expanded projection of US political, military, economic and cultural power draws intensified global concern, understanding how that country understands itself seems more important than ever.

This collection of new critical essays tackles this old problem in a new way, by examining some of the hundreds of US films that announce themselves as titularly 'American'. From early travelogues to contemporary comedies, national nomination has been an abiding characteristic of American motion pictures, heading the work of Porter, Guy-Blaché, DeMille, Capra, Sternberg, Vidor, Minnelli and Mankiewicz. More recently, George Lucas, Paul Schrader, John Landis and Edward James Olmos have made their own contributions to Hollywood’s Americana.

What does this national branding signify? Which versions of Americanism are valorized, and which marginalized or excluded? Out of which social and historical contexts do they emerge, and for and by whom are they constructed?

Edited by Mandy Merck, thecollection contains detailed analyses of such films as The Vanishing American, American Madness, An American in Paris, American Graffiti, American Gigolo, American Pie and many more.