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eBook Max Liebermann and International Modernism: An Artist's Career from Empire to Third Reich (Studies in German History) download

by Marion Deshmukh,Françoise Forster-Hahn,Barbara Gaehtgens

eBook Max Liebermann and International Modernism: An Artist's Career from Empire to Third Reich (Studies in German History) download ISBN: 1845456629
Author: Marion Deshmukh,Françoise Forster-Hahn,Barbara Gaehtgens
Publisher: Berghahn Books; 1 edition (May 1, 2011)
Language: English
Pages: 266
ePub: 1558 kb
Fb2: 1311 kb
Rating: 4.5
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Category: Different
Subcategory: Humanities

Start by marking Max Liebermann and International Modernism: An Artist's . Paperback, Studies in German History, 266 pages.

Start by marking Max Liebermann and International Modernism: An Artist's Career from Empire to Third Reich as Want to Read: Want to Read savin. ant to Read. Although Max Liebermann (1847-1935) began his career as a realist painter depicting scenes of rural labor, Dutch village life, and the countryside, by the turn of the century, his paintings had evolved into colorful images of bourgeois life and leisure that critics associated with French impressionism. Published May 30th 2011 by Berghahn Books (first published May 1st 2011).

His eminent career and his reputation intersected with the dramatic and violent events of modern German history from the Empire to the Third Reich

Published in Association with the German Historical Institute, Washington, . His eminent career and his reputation intersected with the dramatic and violent events of modern German history from the Empire to the Third Reich См. также

Françoise Forster-Hahn is Distinguished Professor of the History of Art at the University of California, Riverside. Part I: liebermann’s international connections and training. Chapter 1. Internationalism for the Nation: Max Liebermann as a Cultural Politician Peter Paret.

Items related to Max Liebermann and International Modernism: An Artist's. Marion Deshmukh is the Robert T. Hawkes Professor of History at George Mason University where she served as Department Chair from 1984 to 1995 and from 2006 to 2007. Home Berghahn Books Max Liebermann and International Modernism: An Artist's Career. Her publications include works and exhibition catalog essays on Max Liebermann, on German academies and art unions, on Berlin’s National Gallery of Art since 1945 and on East German painters since 1990.

History 499: Senior Seminar: The Third Reich and the Holocaust. Graduate Courses: History 636: Germany in the 20th Century.

Introduction and essay: Sonderwege Historical and Art Historical: the Case of Max Liebermann in book above. Iconoclash! Political Imagery from the Berlin Wall to German Unification, (Washington, DC, 2009). History 499: Senior Seminar: The Third Reich and the Holocaust.

Liebermann and Millet, in: Max Liebermann and International Modernism. An Artist's Career from Empire to Third Reich, hrsg. von Marion Deshmukh, Françoise Forster-Hahn u. Barbara Gaehtgens, New York/Oxford 2011, S. 63-77.

Deshmukh, Marion F. Forster-Hahn, Françoise.

Marion Deshmukh has deftly interwoven a comprehensive study of Liebermann's life, art, and critical reception .

Marion Deshmukh has deftly interwoven a comprehensive study of Liebermann's life, art, and critical reception within a context of the cultural and political history of Wilhelmine and Weimar Germany. Deshmukh has used Liebermann's "bourgeois modernism" to reassess the unique and conflicted nature of modernism in Germany.

Although Max Liebermann (1847–1935) began his career as a realist painter depicting scenes of rural labor, Dutch village life, and the countryside, by the turn of the century, his paintings had evolved into colorful images of bourgeois life and leisure that critics associated with French impressionism. During a time of increasing German nationalism, his paintings and cultural politics sparked numerous aesthetic and political controversies. His eminent career and his reputation intersected with the dramatic and violent events of modern German history from the Empire to the Third Reich. The Nazis’ persecution of modern and Jewish artists led to the obliteration of Liebermann from the narratives of modern art, but this volume contributes to the recent wave of scholarly literature that works to recover his role and his oeuvre from an international perspective.