eBook Teaching as Story Telling: An Alternative Approach to Teaching and Curriculum in the Elementary School download

The author provides a new perspective in what teaching is all about. Anyone familiar with contemporary pedagogy will recognize the bureaucratic understanding of lesson planning, objectives, and assessments. It's not that those things aren't important, but that what really drives good teaching is the ancient art of storytelling. If the lesson doesn't take the student deeper into the mystery of human existence, what value can it have? This is what I take to be Egan's point: teachers transmit the rich history of human experience, success and failure, through artful storytelling.

Egan had some really great ideas about the role of imagination and emotion in student learning. He also points out some commonly believed principles that are used in schools that do not stand up to the realities of child development. The story form model is a creative approach to planning lessons and teaching students, but Egan's examples seem to be too dramatic to actually use with young children. I think the story form model would work well if used on occasion, but it will not be dominating my classroom.

"The educational achievement is not to make the strange seem familiar, but to make the familiar seem strange. It is seeing the wonderful that lies hidden in what we take for granted that matters educationally" (Egan, p. 47). In this book, Egan walks the reader through the elements of incorporating story across the curriculum as a way to interest students deeply in their learning and improve their understanding and retention of the material. Mr. Egan brings his ideas to life with lesson planning, thorough explanations and a bevy of how-to advice.
"What we call imagination is also a tool of learning- in the early years perhaps the most energetic and powerful one" (Egan, p. 17). We must remove the drudgery from our children's learning and allow them to make meaning from their lessons. Egan's asserts that as children learn a subject using ad hoc principles, they lose their passion for the subject matter and retention of important ideas. When they are steeped in the mundane duties of worksheets and memorization of facts, it removes the meaning from their learning and only encourages them to "get through" the lesson so they can move on to the next task. "So, perhaps ironically in the face of presently dominant ad hoc principles, it is the most profound and important aspects of a topic that need to be brought to the fore if we want young children to understand it" (Egan, p. 45).
Egan uses examples from a cross section of themes to demonstrate the applications of story in the curriculum. He quotes Aristotle, "There is nothing in the mind except that which has passed through the senses" (p. 11). "In telling a story one does not begin by stating objectives, and yet stories are wonderful tools for efficiently organizing and communicating meaning" (Egan, p. 38).
He uses his formula for story in the curriculum to address a variety of thematic units. The overall structure of learning this form is to identify the most important ideas; identify why it should matter to kids; identify what is affectively engaging about the material; identify bipolar opposites (good/evil, rich/poor, freedom/slavery); organize the content into story form (using the above elements);conclusion- resolution of conflict and mediation; evaluation of understanding, importance and content learned.
Using this format, he gives several examples of units that could be brought into the elementary school including some that would normally be considered "over their head." These include themes in language arts, science, math and social studies. He encourages teachers to try to bring stories into all units as a method of communicating in a language that all kids speak. "A model for teaching that draws on the power of the story, then, will ensure that we set up a conflict or sense of dramatic tension at the beginning of our lessons and units. Thus we create some expectation that we will satisfy at the end" (Egan p. 26).
I liked his easy way of explaining how to bring story into the classroom. He helps me, as the beginning teacher, understand how this perspective will help me reap more rewards out of teaching and help my students gain a better meaning for their learning. "As teachers are our professional story-tellers, so the curriculum is the story they are to tell" (Egan, p. 109). With its creative perspective, Teaching As Storytelling has merit to any teacher, regardless of how proficient they are in their subject areas. Although he recognizes the difficulties in practical application, he asserts that the inspiration for this book came from watching what good teachers already practice. He is adamant that the lessons children recall in later life most often follow the story-form model. "What is usually most educationally effective is telling children good stories about their world and about the variety of human experience in it" (p. 115). Is it not the job of all educators to bring meaning and knowledge to students to enrich their lives?

This is the teaching method I use for my boys. It is by far the easiest way to grab the children's attention as opposed to worksheets. I've taught many math and science concepts using this method, which Egan suggests. Thinking back in my years in school, I remember topics relayed to me in story form but nothing out of a textbook or worksheet. Many literature books have changed the world because they capture peoples attention; I suggest implementing Kieran Egan's suggestions.