eBook John Constable: A Kingdom of his Own download
by Anthony Bailey
Author: Anthony Bailey
Publisher: Chatto & Windus (January 23, 2007)
ePub: 1352 kb
Fb2: 1227 kb
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Subcategory: Arts and Literature
With Anthony Bailey's new life of John Constable, though, there's nothing else for i.
With Anthony Bailey's new life of John Constable, though, there's nothing else for i. At the end of John Constable: A kingdom of his own, you feel less that you've read a biography than that you've seen a self-portrait - or maybe heard Constable's voice, soft and unadorned like his painting. Poema pictura loquens said Plutarch: poetry is talking pictures. Swap poetry for prose and you get Bailey's drift. We’ll tell you what’s true. You can form your own view.
Anthony Bailey bravely attempts to pin down Constable's genius in A Kingdom of His Own - though all .
Anthony Bailey bravely attempts to pin down Constable's genius in A Kingdom of His Own - though all you really need to do is see the artist's work for yourself, says Charles Saumarez Smith. Bailey provides an easy and extremely readable narrative of the circumstances of Constable's upbringing, his family circle in East Bergholt, his education over the river in Dedham grammar school and the social connections of his family.
Find sources: "John Constable" – news · newspapers · books · scholar . Bailey, Anthony (2007), John Constable: A Kingdom of His Own, London.
Find sources: "John Constable" – news · newspapers · books · scholar · JSTOR (June 2017) (Learn how and when to remove this template message). John Constable, Self-portrait 1806, pencil on paper, Tate Gallery London John Constable was born in East Bergholt, a village on the River Stour in Suffolk, to Golding and Ann (Watts) Constable. His father was a wealthy corn merchant, owner of Flatford Mill in East Bergholt and, later, Dedham Mill in Essex. Bailey, Anthony (2007), John Constable: A Kingdom of His Own, London: Vintage, ISBN 978-1-84413-833-3.
Like his subject, Anthony Bailey has the great qualities of unobtrusiveness and sensitivity, letting things emerge organically rather than forcing his own imprint upon them. And also like Constable, he has an instinct for the details that can bring an entire canvas to life. This sensitive book resonates with respect and admiration, treating the man with humanity and demolishing for ever the 'chocolate box' frivolity surrounding Constable's name and work.
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John Constable came into the world on 11 June 1776 in East Bergholt, Suffolk
A Kingdom of his Own. Preface. Constable laboured for many years with little popular success. John Constable came into the world on 11 June 1776 in East Bergholt, Suffolk. The parish record of his christening on that date includes the additional, exceptional word ‘Born’ – that is, he was baptised on the actual day of his birth. The story he later heard was that he wasn’t expected to live, and the Reverend Walter Driffield had to turn out at eleven o’clock at night for a swift walk ‘over the heath’ to the Constables to make a Christian of the weakly infant.
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Born in 1776, John Constable was destined for hi. .Anthony Bailey presents this biography of John Constable (1776-1837), the quintessentially English landscape painter. ISBN13: 9780701178840. Release Date: February 2007.
A Kingdom of his Own. Anthony Bailey. Born in 1776 in East Anglia near the river Stour, John Constable was destined for his father's business of milling and grain-shipping. But he was obdurately opposed to this and persuaded his family he should become an artist instead. In the same determined spirit, he wooed Maria Bicknell in the teeth of opposition from her formidable grandfather, and persisted in painting landscapes at a time when history paintings and portraits were the fashion. Sometimes sharp and sarcastic, and often depressed, Constable in fact possessed a warm gift for intimate friendship.
It took the French to make John Constable (1776–1836) English. by Anthony Bailey. Age Range: 1776 - 1836. It took the French to make John Constable (1776–1836) English. Which is to say, as Bailey notes, Constable worked for much of his life largely unrecognized, painting idyllic English pastoral landscapes that were dismissed as, well, mere landscapes. But then, writes Bailey, the French took him up-gold medals were bestowed-and the London art world slowly opened its eyes to what he was up to.