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eBook Women on the Stage in Early Modern France: 1540-1750 download

by Virginia Scott

eBook Women on the Stage in Early Modern France: 1540-1750 download ISBN: 0521896754
Author: Virginia Scott
Publisher: Cambridge University Press (August 30, 2010)
Language: English
Pages: 336
ePub: 1644 kb
Fb2: 1235 kb
Rating: 4.4
Other formats: lrf azw mobi mbr
Category: Art and Photo
Subcategory: Performing Arts

Virginia Scott is Professor Emerita in the Department of Theater, University of Massachusetts at Amherst. Her books include The Commedia dell'arte in Paris, which won the George Freedley award, and Moliere: A Theatrical Life.

Virginia Scott is Professor Emerita in the Department of Theater, University of Massachusetts at Amherst. She specializes in Commedia dell'arte and French theatre of the sixteenth, seventeenth, and eighteenth centuries. Professor Scott is also a dramaturge, playwright, actor, and director.

Focusing on actresses in France during the early modern period, Virginia Scott .

Focusing on actresses in France during the early modern period, Virginia Scott examines how the stereotype of the actress has been constructed. The study then moves beyond that stereotype to detail the reality of the personal and artistic lives of women on the French stage, from the almost unknown Marie Ferre who signed a contract for 12 livres a year in 1545 to perform th Focusing on actresses in France during the early modern period, Virginia Scott examines how the stereotype of the actress has.

MODERN FRANCE: 15401750 Focusing on actresses in France during the early modern period, Virginia Scott examines how the stereotype of the actress has been constructed. The book also investigates the ways in which actresses made invaluable contributions to the development of the French theatre in the seventeenth and eighteenth centuries, and looks at the afterlives of such women as Armande Bejart, Marquise Du Parc, Charlotte Desmares, Adrienne Lecouvreur, and Hippolyte Clairon in biographies, plays, and films. v i r g i n i a s c o t.

Women’s Work and Rights in Early Modern Urban Europe. Focusing on actresses in France during the early modern period, Virginia Scott examines how the stereotype of the actress has been constructed

Women’s Work and Rights in Early Modern Urban Europe. Focusing on actresses in France during the early modern period, Virginia Scott examines how the stereotype of the actress has been constructed. The study then moves beyond that stereotype to detail the reality of the personal and artistic lives of women on the French stage, from the almost unknown Marie Ferré - who signed a contract for 12 livres a year in 1545 to perform the 'antiquailles de Rome or other histories, moralities, farces, and acrobatics' in the provinces - to the queens of the eighteenth-century. Paris stage, whose 'adventures' have overshadowed their artistic triumphs. The book also investigates the ways in which actresses made invaluable contributions to the development of the French theatre in the seventeenth and eighteenth centuries, and looks at the 'afterlives' of such women as Armande B�ejart, Marquise Du Parc, Charlotte Desmares, Adrienne Lecouvreur, and Hippolyte Clairon in biographies, plays, and films"

Transnational exchange in early modern theater By Robert Henke, Eric Nicholson. a b c d e f g Scott, Virginia (2010). Women on the stage in early modern France : 1540-1750. Download as PDF. Printable version.

Transnational exchange in early modern theater By Robert Henke, Eric Nicholson. Elizabeth A. Sackler Center for Feminist Art: The Dinner Party: Heritage Floor: Marie Venier. Cambridge: Cambridge University Press.

Hence, the collection will be useful not only to students interested in theatre and performance but also will be a welcome addition to any course on women's history in early modern England.

Women on the Stage in Early Modern France: 1540-1750. Cambridge University Press, 2010. Hence, the collection will be useful not only to students interested in theatre and performance but also will be a welcome addition to any course on women's history in early modern England. One of the most interesting essays in the collection is Melinda J. Gough's "Courtly Comediantes: Henrietta Maria and Amateur Women's Stage Plays in France and England" (193-218).

Focusing on actresses in France during the early modern period, Virginia Scott examines how the stereotype of the actress has been constructed. The study then moves beyond that stereotype to detail the reality of the personal and artistic lives of women on the French stage, from the almost unknown Marie Ferré - who signed a contract for 12 livres a year in 1545 to perform the 'antiquailles de Rome or other histories, moralities, farces, and acrobatics' in the provinces - to the queens of the eighteenth-century Paris stage, whose 'adventures' have overshadowed their artistic triumphs. The book also investigates the ways in which actresses made invaluable contributions to the development of the French theatre in the seventeenth and eighteenth centuries, and looks at the 'afterlives' of such women as Armande Béjart, Marquise Du Parc, Charlotte Desmares, Adrienne Lecouvreur, and Hippolyte Clairon in biographies, plays, and films.