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eBook The Vengerova System of Piano Playing download

by Robert D. Schick

eBook The Vengerova System of Piano Playing download ISBN: 0271035471
Author: Robert D. Schick
Publisher: Penn State University Press; 1 edition (October 28, 2008)
Language: English
Pages: 126
ePub: 1551 kb
Fb2: 1242 kb
Rating: 4.4
Other formats: mbr doc mobi docx
Category: Art and Photo
Subcategory: Music

This book is based on detailed notes taken by the author during a decade of study under one of the renowned teachers of piano has been added to your Cart.

This book is based on detailed notes taken by the author during a decade of study under one of the renowned teachers of piano has been added to your Cart.

Start by marking The Vengerova System Of Piano Playing as Want to Read .

Start by marking The Vengerova System Of Piano Playing as Want to Read: Want to Read savin. ant to Read. This book is based on detailed notes taken by the author during a decade of study under one of the renowned teachers of piano, whose pupils included such pianists as Gary Graffman, Lilian Kallir, Jacob Lateiner, and Sylvia Saremba and such composer/conductors as Samuel Barber, Leonard Bernstein, Lukas Foss, and Thomas Scherman. Following a brief chapter on Vengerova's perso This book.

This book is based on detailed notes taken by the author during a decade of study under one of the renowned teachers of piano, whose pupils included such pianists as Gary Graffman, Lilian Kallir, Jacob Lateiner, and Sylvia Saremba and such composer/conductors as Samuel Barber, Leonard Bernstein, Lukas Foss, and Thomas Scherman. Following a brief chapter on Vengerova's personality, the author presents the Vengerova system in respect to posture and hand position, accents, "singing tone," fingering, and pedaling.

Schick, Robert D, and Isabelle Vengerova. The Vengerova System of Piano Playing. I Really should be Practicing (New York, 1981). University Park: Pennsylvania State University Press, 1982, p. 2. ISBN 9780271035475. Smith, Charles D, and Richard J. Howe. The Welte-Mignon: Its Music and Musicians. The Vengerova System of Piano Playing (University Park, PA, 1982). Beloved Tyranna: the Legend and Legacy of Isabelle Vengerova (Bloomington, IN, 1995).

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Isabelle Vengerova (1877-1956) Background: Was a Russian, later became an American Taught at Curtis Institute in Philadelphia (1924death) Celebrated pupils such as Samuel Barber, Lukas Foss, Leonard Bernstein, Gary Graffman and Slyvia Zaremba Wrote NO technique book but her ideas on technique are set forth in writing of her students. The Vengerova Systems of Piano Playing by Robert D. Shick (1982) Beloved Tyranna: The Legend and Legacy of Isabelle Vengerova by Joseph Rezits (1995).

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I've read Neuhaus' "Art of Piano Playing", Schick's "The Vengerova System of Piano Playing", and Lhevinne's "Basic Principles in Pianoforte Playing", among others. I enjoyed all of these

I've read Neuhaus' "Art of Piano Playing", Schick's "The Vengerova System of Piano Playing", and Lhevinne's "Basic Principles in Pianoforte Playing", among others. I enjoyed all of these. However, I'd like to know other books you recommend (and stuff you wouldn't), and if any of you are familiar with Grigory Kogan's "The Pianist's Work". Has this book ever been published in English? tph.

This book is based on detailed notes taken by the author during a decade of study under one of the renowned teachers of piano, whose pupils included such pianists as Gary Graffman, Lilian Kallir, Jacob Lateiner, and Sylvia Saremba and such composer/conductors as Samuel Barber, Leonard Bernstein, Lukas Foss, and Thomas Scherman. Following a brief chapter on Vengerova's personality, the author presents the Vengerova system in respect to posture and hand position, accents, "singing tone," fingering, and pedaling. A final chapter discusses the merits of a relatively rigid system of musical instruction, concluding that Vengerova's approach encouraged 'variety with an underlying unity'- a conclusion supported in a survey of her former pupils by Joseph Rezits. The book is illustrated with photographs and excerpts from musical scores. An appendix includes an article by the Soviet musicologist Vitaly Neumann on Isabelle Vengerova's teaching at the St. Petersburg Conservatory from 1906 until the Revolution, following a concert career. It also includes an obituary by Jay S. Harrison outlining her teaching accomplishments at the Curtis Institute and the Mannes College of Music between 1924 and her death in 1956.