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by DowningA. Thomas

eBook Operatic Migrations: Transforming Works and Crossing Boundaries download ISBN: 0754650987
Author: DowningA. Thomas
Publisher: Routledge (May 28, 2006)
Language: English
Pages: 296
ePub: 1668 kb
Fb2: 1432 kb
Rating: 4.4
Other formats: txt azw lit doc
Category: Art and Photo
Subcategory: Music

Crossing over disciplinary boundaries between music, literary studies .

Crossing over disciplinary boundaries between music, literary studies, history, cultural studies and art history, the volume enriches our knowledge and understanding of the operatic experience and the works. The book will therefore appeal to those working in the field of music, literary and cultural studies, and to those with a particular interest in opera and musical theatre. Operatic Migrations: Transforming Works and Crossing Boundaries DowningA.

Você pode fazer download para leitura off-line, destacar passagens, usar marcadores de página ou criar notas ao ler Operatic Migrations: Transforming Works and Crossing Boundaries. This volume takes an interdisciplinary approach to studying a wide range of subjects associated with the creation, performance and reception of 'opera' in varying social and historical contexts from the eighteenth to the twentieth centuries. Each essay addresses migrations between genres, cultures, literary and musical works, modes of expression, media of presentation and aesthetics.

Lists Forum Books Performance Data new. Ephemera Libretto Instruments. New List New Article New Book New Video New Post New Score new. Home Journals Music & Letters 2008 Vol. 89 No. 1. Operatic Migrations. Transforming Works and Crossing Boundaries. Ed. by Roberta Montemorra Marvin and Downing A. Thomas. Tcharos, S. (2008) Operatic Migrations: Transforming Works and Crossing Boundaries In: Music & Letters, Vol. 89, No. 1, pp. 121-124.

Fauser, Annegret and Everist, Mark (Chicago, 2009); Operatic Migrations: Transforming Works and Crossing Boundaries, e. London's Italian Opera House, 1780–1830’, in Operatic Migrations, 145–86.

Fauser, Annegret and Everist, Mark (Chicago, 2009); Operatic Migrations: Transforming Works and Crossing Boundaries, ed. Marvin, Roberta Montemorra and Thomas, Downing A. (Aldershot, 2006); and The Arts of the Prima Donna in the Long Nineteenth Century, ed. Cowgill, Rachel and Poriss, Hilary (Oxford, 2012). It should come as no surprise that at least four of the authors featured in Fashions and Legacies have also contributed to these similarly themed volumes. 4 Parker, Remaking the Song, 8.

Thomas and Publisher Routledge. Save up to 80% by choosing the eTextbook option for ISBN: 9781351555708, 1351555707. The print version of this textbook is ISBN: 9780754650980, 0754650987. Note that the availability of products for purchase is based on the country of your billing address. Some items may have regional restrictions for purchase. Canadian customers may purchase from our stores in Canada or the US. Canada.

Operatic Migrations: Transforming Works and Crossing Boundaries in. .Roberta Montemorra Marvin and Downing Thomas (Ashgate, 2006).

Operatic Migrations: Transforming Works and Crossing Boundaries in Musical Drama, ed. Empire and Occupation in France and the Francophone Worlds, eds. A. Donadey, S. Farmer, R. Scullion, D. Thomas, and S. Ungar, a special issue of Studies in Twentieth-Century Literature 2. (1999).

Operatic Migrations: Transforming Works and Crossing Boundaries. Aldershot: Ashgate, 2006. Short-listed for the American Musicological Society’s Ruth A. Solie Award).

Marvin, Roberta Montemorra; Downing A. Thomas (2006). Roman Republicanism and Operatic Heroines". Operatic migrations: transforming works and crossing boundaries (illustrated e. Ashgate Publishing, Ltd. pp. 102–103.

This volume takes an interdisciplinary approach to studying a wide range of subjects associated with the creation, performance and reception of 'opera' in varying social and historical contexts from the eighteenth to the twentieth centuries. Each essay addresses migrations between genres, cultures, literary and musical works, modes of expression, media of presentation and aesthetics. Although the directions the contributions take are diverse, they converge in significant ways, particularly with the rebuttal of the notion of the singular nature of the operatic work. The volume strongly asserts that works are meaningfully transformed by the manifold circumstances of their creation and reception, and that these circumstances have an impact on the life of those works in their many transformations and on a given audience's experience of them. Topics covered include transformations of literary sources and their migration into the operatic genre; works that move across geographical and social boundaries into different cultural contexts; movements between media and/or genre as well as alterations through interpretation and performance of the composer's creation; the translation of spoken theatre to lyric theatre; the theoretical issues contingent on the rendering of 'speech' into 'song'; and the transforming effects of aesthetic considerations as they bear on opera. Crossing over disciplinary boundaries between music, literary studies, history, cultural studies and art history, the volume enriches our knowledge and understanding of the operatic experience and the works. The book will therefore appeal to those working in the field of music, literary and cultural studies, and to those with a particular interest in opera and musical theatre.