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eBook Philosophers on Music: Experience, Meaning, and Work (Mind Association Occasional Series) download

by Kathleen Stock

eBook Philosophers on Music: Experience, Meaning, and Work (Mind Association Occasional Series) download ISBN: 019958799X
Author: Kathleen Stock
Publisher: Clarendon Press; 1 edition (July 8, 2010)
Language: English
Pages: 272
ePub: 1313 kb
Fb2: 1964 kb
Rating: 4.7
Other formats: lrf docx rtf mbr
Category: Art and Photo
Subcategory: Music

Philosophers on Music book.

Philosophers on Music book.

Similar books to Philosophers on Music: Experience, Meaning, and .

Similar books to Philosophers on Music: Experience, Meaning, and Work (Mind Association Occasional Series). Kindle Paperwhite The best device for reading, full stop. I cannot stress enough that philosophers, aestheticians, musicians, musicologists, music-lovers, and others will find lots to reflect on in this exciting, new volume

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Philosophers on Music: Experience, Meaning, and Work presents significant new contributions to central issues in the philosophy of music, written by leading philosophers working in the analytic tradition. The issues tackled in this volume include what sort of thing a work of music is; the nature of the relation between a musical work and versions of it; the nature of musical expression and its contribution to musical experience; the relation of music to metaphor; the nature of musical irony; the musical status of electro-sonic art; and the nature of musical.

Описание: Experience Meaning and Work. Philosophers on Music presents significant new contributions to central issues in the philosophy of music, written by leading philosophers working in the analytic tradition. Aestheticians, musicologists, music practitioners, and those interested in philosophy generally will find the papers in this volume rewarding reading.

Stock, Kathleen, ed. Philosophers on Music: Experience, Meaning, and Work. Mind Association Occasional series. Oxford: Oxford University Press, 2007. However, several of the essays are specialized and narrow in focus. The wide range of contributors to this volume.

Similar books and articles. Music and Electro-Sonic Art, Gordon Graham ; Thoughts on Rhythm. Roger Scruton - 2007 - In Kathleen Stock (e., Philosophers on Music: Experience, Meaning, and Work. Oxford University Press. Music and Aesthetic Reality: Formalism and the Limits of Description.

Mind Association Occasional Series). Oxford, UK: Oxford University Press.

The Deed is Everything: Nietzsche on Will and Action. In K. Stock (E., Philosophers on Music: Experience, Meaning and Work (pp. 130-146). Mind Association Occasional Series).

Experience, Meaning, and Work (Mind Association Occasional Series). Published October 26, 2007 by Oxford University Press, USA. Music, Philosophy and aesthetics. There's no description for this book yet.

Philosophers on Music: Experience, Meaning, and Work presents significant new contributions to central issues in the philosophy of music, written by leading philosophers working in the analytic tradition. Music is an increasingly popular object of reflection for professional philosophers, as it raises special questions not only of relevance to music practitioners, theorists, and philosophers of art, but also of wider philosophical interest to those working in metaphysics, the philosophy of emotion, and the philosophy of language, among other areas. The wide range of contributors to this volume reflects this level of interest. It includes both well-known philosophers of music drawing on a wealth of reflection to produce new and often startling conclusions, and philosophers relatively new to the philosophy of music yet eminent in other philosophical fields, who are able to bring a fresh perspective, informed by that background, to their topic of choice. The issues tackled in this volume include what sort of thing a work of music is; the nature of the relation between a musical work and versions of it; the nature of musical expression and its contribution to musical experience; the relation of music to metaphor; the nature of musical irony; the musical status of electro-sonic art; and the nature of musical rhythm. Together these papers constitute some of the best new work in what is an exciting field of research, and one which has much to engage philosophers, aestheticians, and musicologists.