eBook Psychology of Music (Cognition and Perception) download
by Diana Deutsch
Author: Diana Deutsch
Publisher: Academic Press; Reprint edition (February 11, 1984)
ePub: 1468 kb
Fb2: 1591 kb
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The attributes of the book are thoroughness, authority and clarity.
The attributes of the book are thoroughness, authority and clarity. That one volume can so adeptly select, draw on, arrange, assess, amplify its material and invite the reader to draw meaningful and reliable conclusions relevant to his/her love of music is a huge achievement.
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Ability Neurological Aspects of Music Perception and Performance Comparative Music Perception and Cognition.
The book is intended as a comprehensive reference source for both musicians and psychologists. The book is intended as a comprehensive reference source for both musicians and psychologists. Ability Neurological Aspects of Music Perception and Performance Comparative Music Perception and Cognition. Результаты поиска по книге. Отзывы - Написать отзыв. Не удалось найти ни одного отзыва.
The Psychology of Music serves as an introduction to an interdisciplinary field in psychology, which focuses on the .
The Psychology of Music serves as an introduction to an interdisciplinary field in psychology, which focuses on the interpretation of music through mental function. This interpretation leads to the characterization of music through perceiving, remembering, creating, performing, and responding to music.
Music psychology, or the psychology of music, may be regarded as a branch of both psychology and musicology. It aims to explain and understand musical behaviour and experience, including the processes through which music is perceived, created, responded to, and incorporated into everyday life
Psychology and Music Diana Deutsch University of California, San Diego INTRODUCTION The relationship between psychology and music is characteristic of that between a new science and an established discipline. Western music theory has a very old tradition, dat- ing at least from the time of Pythagoras; and the philosophical underpinnings of this tra- dition that were established in ancient times still exist today. For the apprehension of music depends on these two facul- ties, sense-perception and memory; for we must perceive the sound that is present and remember that which is past.
Psychology of Music (Cognition and Perception). The Psychology of Music draws together the diverse and scattered literature on the psychology of music. A Volume in the Cognition and Perception Series
Achievements include invention of musical illusions and paradoxes, including the octave illusion, the scale illusion and the tritone paradox. Grantee National Institutes of Health, 1971, 73, 77, 81-85, Mead Johnson Pharmaceutical, 1985-1987, Bristol-Myers Pharmaceutical, 1987-1988, Digital Equipment Corporation, 1987-1989. Psychology of Music (Cognition and Perception). A Volume in the Cognition and Perception Series. 35628/?tag prabook0b-20.