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eBook Chou Wen-Chung: The Life and Work of a Contemporary Chinese-Born American Composer (Composers of North America) download

by Peter M. Chang

eBook Chou Wen-Chung: The Life and Work of a Contemporary Chinese-Born American Composer (Composers of North America) download ISBN: 0810852969
Author: Peter M. Chang
Publisher: Scarecrow Press (February 9, 2006)
Language: English
Pages: 264
ePub: 1722 kb
Fb2: 1453 kb
Rating: 4.1
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Category: Art and Photo
Subcategory: Music

Despite his original training as a civil engineer, Chou Wen-Chung came to America in 1946 to pursue music

Despite his original training as a civil engineer, Chou Wen-Chung came to America in 1946 to pursue music. He became a protege of Edgard Varese and spent several decades teaching, composing, and advancing modern concepts in contemporary compositions. This book examines the composer's life and music, including biographic material, an in-depth cultural and musical analysis of his works, and receptions of his music.

Chou Wen-Chung (b. 1923) has gained attention as composer, cross-cultural experimenter, mentor . The rise and sustained success of an entire class of internationally renowned composers has accentuated interest in Chou as a forerunner. 1923) has gained attention as composer, cross-cultural experimenter, mentor, administrator, and US-China exchange facilitator through the course of his career since he moved from China to the United States in 1946. Ethnomusicologists, musicologists, and music theorists may therefore all take an interest in this remarkable personage.

Composers of North America, No. 2. Lanham, MD: Scarecrow Press, 2006. Music examples, illustrations, index. In this book, Peter M. Chang offers a detailed chronological survey and analysis of Chou's music spanning over five decades. The book is organized into eight chapters: an overview of Chou's compositional style (chap. 1), extensive biography (chap. 2), chronological survey and analysis of works (chaps. Anyone who has met Chou Wen-Chung in person is amazed by the excitement and passion he brings to sharing his ideas, visions, and stories about his life experiences.

Composers of North America.

Chou Wen-chung (Chinese: 周文中; pinyin: Zhōu Wénzhōng; July 28, 1923 – October 25, 2019) was a Chinese American composer of contemporary classical music. He emigrated in 1946 to the United States and received his music training at the New England Conservatory and Columbia University.

The Life and Work of a Contemporary Chinese-Born American Composer, by Peter M. Chang (Composers of North America, No. 25. 25). Y. U. Everett. Everett, Y. (2007) Chou Wen-Chung: The Life and Work of a Contemporary Chinese-Born American Composer, by Peter M. In: Notes, Vol. 63, No. 3, pp. 615-616.

Peter Chang, Chou Wen-Chung: the Life and Work of a Contemporary Chinese-born American Composer (Oxford, . : The Scarecrow Press, 2006), 37. ^ Chew Seok-Kwee, An Analysis of the Selected Music of Chou Wen-Chung in Relation to Chinese Aesthetics (PhD diss. New York University, 1990), 72. ^ He Jianjun, Zhou Wenzhong de Cao Shu (Hunan, China: Hunan University, 2004), 42. ^ Peter Chang, Chou Wen-Chung: the Life and Work of a Contemporary Chinese-born American Composer (Oxford, . : The Scarecrow Press, 2006), 117. Sources.

He is the author of Chou Wen-Chung: The Life and Work of a Contemporary Chinese-born American Composer (2006).

Article on Handel's 7 Trio Sonatas, Op. 5 for the Journal of Central Conservatory of Music (2016). He is the author of Chou Wen-Chung: The Life and Work of a Contemporary Chinese-born American Composer (2006). He has been invited to give lectures, and to teach courses at several universities and conservatories in China. Professor Chang treats all of his students with respect, and wants to make their learning experience at Northeastern a rewarding one. p-chang1.

Chou Wen-chung, a composer, teacher and cultural diplomat who taught a coterie of celebrated and . Wen-chung was home-schooled until age 11 because of a heart condition.

Chou Wen-chung, a composer, teacher and cultural diplomat who taught a coterie of celebrated and award-winning Chinese composers and who tended to the legacy of Edgard Varèse, the linchpin of American modernism, died on Friday at his home in Manhattan. He supplemented his education from tutors and his father - who instructed him in poetry and calligraphy - with surreptitious visits to the family’s library, which was stocked with translations of Western literature and off limits to him. The family moved several times, eventually settling in Shanghai.

Chou Wen-chung (Chinese: 周 文 中; pinyin: Zhōu Wénzhōng; surname Chou; born June 29, 1923 in Yantai (sometimes incorrectly called Chefoo), Shandong, China) is a Chinese American composer of contemporary.

Chou Wen-chung (Chinese: 周 文 中; pinyin: Zhōu Wénzhōng; surname Chou; born June 29, 1923 in Yantai (sometimes incorrectly called Chefoo), Shandong, China) is a Chinese American composer of contemporary classical music. He emigrated in 1946 to the United States where he lives. He is a protégé of the composer and visionary, Edgard Varèse. Chou has sought in his music not simply to propagate Varèsian concepts, but to move beyond his teacher's shadow.

Despite his original training as a civil engineer, Chou Wen-Chung came to America in 1946 to pursue music. He became a protégé of Edgard Varèse and spent several decades teaching, composing, and advancing modern concepts in contemporary compositions. Incorporating the teachings of his mentor, yet retaining his own identity, Chou is one of the few composers to successfully integrate images and ideas from both Eastern and Western culture. His unique synthesis of the two cultures has challenged the American musical community to recognize and celebrate cultural differences, setting Chou apart in contemporary American music as an exemplary of the Chinese musical idiom. His founding of the Center for United States-China Arts Exchange has furthered his exploration of cross-cultural pollination.This book examines the composer's life and music, including biographic material, an in-depth cultural and musical analysis of his works, and receptions of his music. An assessment of Chou's unique contribution to contemporary musical synthesis, a hallmark in twentieth-century music, draws a direct link between his cross-cultural approach to composition and his family history and upbringing. His quest for an original style by widening his musical and cultural experiences - including consulting ancient Chinese sources on music and philosophy - helped to solidify his place in the musical patchwork of contemporary America. Also drawing a comparison between Chou's approach to musical synthesis and that of his Chinese colleagues, author Peter Chang's discussion generates interest in cross-cultural studies in contemporary music, promoting multicultural awareness in America and abroad, and enabling readers to understand different reactions to the Western impact on Chinese music and culture. The book's appendixes list Chou's compositions and recordings, and a chronology of performances.