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by Gerald Bordman

eBook American Musical Revue: From The Passing Show to Sugar Babies download ISBN: 0195036301
Author: Gerald Bordman
Publisher: Oxford University Press (September 19, 1985)
Language: English
Pages: 191
ePub: 1921 kb
Fb2: 1411 kb
Rating: 4.4
Other formats: mbr lit lrf docx
Category: Art and Photo
Subcategory: Music

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Gerald Martin Bordman (September 18, 1931 – May 9, 2011) was an American theatre historian, best known for authoring the . American Musical Revue: From The Passing Show to Sugar Babies (1985).

Gerald Martin Bordman (September 18, 1931 – May 9, 2011) was an American theatre historian, best known for authoring the reference volume The American Musical Theatre, first published in 1978. of its kind, and an invaluable on. a b c Simonson, Robert (12 May 2011). Gerald Bordman, Theatre Scholar, Dies at 79, Playbill.

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Gerald Martin Bordman was an American theatre historian, best known for authoring the reference volume The American Musical . American Musical Theatre: A Chronicle by Gerald Bordman (2010-12-29). Brand New. In Stock ) Brand New. In Stock.

Gerald Martin Bordman was an American theatre historian, best known for authoring the reference volume The American Musical Theatre, first published in 1978.

AMERICAN MUSICAL REVUE: From ''The Passing Show'' to ''Sugar Babies. Gerald Bordman, whose encyclopedic ''American Musical Theatre'' traced the history of popular musical productions primarily through a year-by-year report of activities in New York, has drawn from this same basic material a pair of more narrowly focused books, ''American Musical Comedy'' and ''American Operetta.

American Musical Revue: From The Passing Show to Sugar Babies (1985) Made up of a string of vignettes, the show features songs from such.

American Musical Revue: From The Passing Show to Sugar Babies (1985). Miss 1917 is a musical revue with a book by Guy Bolton and P. G. Wodehouse, music by Victor Herbert, Jerome Kern and others, and lyrics by Harry B. Smith, Otto Harbach, Henry Blossom and others. Made up of a string of vignettes, the show features songs from such musicals as The Wizard of Oz, Three Twins, Babes in Toyland, Ziegfeld Follies and The Belle of New York. Criss Cross is a musical comedy in two acts and prologue, with book and lyrics by Otto Harbach and Anne Caldwell and music by Jerome Kern.

American musical revue. from "The Passing Show" to "Sugar Babies". Published 1985 by Oxford University Press in New York, Oxford. vi, 184 . p. of plates ; Number of pages.

In American musical theater, Bordman has become as important a historian as Stephen Sondheim is a writer, according to Library Journal.

2 The major books on the revue include Bordman, Gerald, American Musical Revue: From the Passing Shows to Sugar Babies (New York and Oxford: Oxford University Press, 1985); and Davis, Lee, Scandals and Follies: the Rise of the Great Broadway Revue (New York: Limelight.

Broadway histories and biographical writings about creators and performers also, in many instances, touch on the revue. Recommend this journal.

"In American musical theater, Bordman has become as important a historian as Stephen Sondheim is a writer," according to Library Journal. The author of the monumental American Musical Theater: A Chronicle ("absolutely the best reference book on its subject"--Newsweek) here completes his trilogy which began with American Operetta and American Musical Comedy, each focusing on a specific musical theatre genre. Revues--Broadway musicals where plot was unimportant or nonexistent and the emphasis was on comedy skits, specialty vocal and dance numbers, catchy songs, and chorus lines of beautiful girls--flourished for half a century, from the 1890s to about 1950. After looking at some forerunners of the revue form, Bordman examines the 1894 Passing Show, generally accepted as the first traditional revue and then traces the genre's development, its long decline and ultimate fate. He then pays homage to the apothesis of the revue, the almost yearly editions of the Ziegfeld Follies (1907-1927) which featured leading comics, singers, and songwriters and prided itself on "glorifying the American girl." In the 1930s, Bordman points out, revues were more modest in scale and more satiric in intent and featured performers like Fred Astaire, Fred Allen, Clifton Webb, and Ethel Waters. The postwar period, Bordman notes, saw few memorable revues and television took over many of the functions of the revue. The most successful recent revues--Ain't Misbehavin', Eubie, and Sophisticated Ladies--hve been primarily retrospective concerts of older music. So it may be that the revue now belongs simply to history. But as anyone knows who has ever been fortunate enough to see a revue--or to vicariously enjoy one through this book--what a legacy! About the Author: Gerald Bordman's most recent book is The Oxford Companion to American Theatre.