carnevalemanfredonia.it
» » The New Guitarscape in Critical Theory, Cultural Practice and Musical Performance (Ashgate Popular and Folk Music Series)

eBook The New Guitarscape in Critical Theory, Cultural Practice and Musical Performance (Ashgate Popular and Folk Music Series) download

by Kevin Dawe

eBook The New Guitarscape in Critical Theory, Cultural Practice and Musical Performance (Ashgate Popular and Folk Music Series) download ISBN: 0754667758
Author: Kevin Dawe
Publisher: Routledge; 1 edition (April 28, 2010)
Language: English
Pages: 248
ePub: 1344 kb
Fb2: 1145 kb
Rating: 4.2
Other formats: mbr mobi doc lit
Category: Art and Photo
Subcategory: Music

In The New Guitarscape, Kevin Dawe argues for a re-assessment of guitar studies in the light of more recent musical, social, cultural and technological developments that have taken place around the instrument

In The New Guitarscape, Kevin Dawe argues for a re-assessment of guitar studies in the light of more recent musical, social, cultural and technological developments that have taken place around the instrument.

Art and Agency: An Anthropological Theory (Oxford and New York, Oxford .

Art and Agency: An Anthropological Theory (Oxford and New York, Oxford University Press). Empire of the Senses: The Sensual Culture Reader (Oxford and New York, Berg). On Concepts and Classifications of Musical Instruments (Chicago, University of Chicago Press). The New Soundscape: A Handbook for the Modern Music Teacher (Ontario, BMI Canada). Any Sound You Can Imagine: Making Music/Consuming Technology (Middletown, CT, Wesleyan University Press).

In The New Guitarscape, Kevin Dawe argues for a re-assessment of guitar studies in the light of more recent musical, social, cultural and technological developments that have taken place around the instrument. The author considers that a detailed study of the guitar in both contemporary and cross-cultural perspectives is now absolutely essential and that such a study must In The New Guitarscape, Kevin Dawe argues for a re-assessment of guitar studies in the light of more recent musical, social, cultural and technological developments that have taken place around the instrument.

Dawe draws attention to the guitar's instantly recognizable role as both a sonic and visual marker of social and . Ashgate Popular and Folk Music. Taylor & Francis Ltd (Sales), Routledge.

Dawe draws attention to the guitar's instantly recognizable role as both a sonic and visual marker of social and cultural identity as carried and distributed by a rich variety of media.

Taking stock of the guitar phenomenon. The new guitarscape and musical instrument studies. Ashgate popular and folk music series.

Published 2009 by Ashgate in Burlington, VT. Written in English. Ten musical lives of the guitar. Taking stock of the guitar phenomenon. Materiality and the virtual guitar. The sensual culture of the guitar. Gender and sexuality in the new guitarscape. The power and agency of the guitar. Guitars, travel and translation. Includes bibliographical references and index.

February 9, 2019 History. Ashgate popular and folk music series, Ashgate popular and folk music series.

February 9, 2019 History found in the catalog. Are you sure you want to remove The new guitarscape in critical theory, cultural practice and musical performance from your list? The new guitarscape in critical theory, cultural practice and musical performance. Published 2010 by Ashgate in Farnham, Surrey, England, Burlington, VT. The author considers that a detailed study of the guitar in both contemporary and cross-cultural perspectives is now absolutely essential and that such a study must also include discussion of a wide range of theoretical issues, literature, musical cultures and technologies as they come to bear upon the instrument.

In The New Guitarscape, Kevin Dawe argues that the "role and agency of the guitar in music, culture and society" needs to be reassessed in light of technological developments as well as theoretical developments in academia

In The New Guitarscape, Kevin Dawe argues that the "role and agency of the guitar in music, culture and society" needs to be reassessed in light of technological developments as well as theoretical developments in academia. The book sets out to survey the long arm of the guitar as an acoustic, virtual, and symbolic instrument-or, better, agent-across different cultures and media, the totality of which Dawe terms the "new guitarscape

Ashgate popular and folk music series.

Ashgate popular and folk music series.

within the New Guitarscape, Kevin Dawe argues for a re-evaluation of guitar stories within the mild of newer musical, social, cultural and technological . Read or Download "The New Guitarscape in Critical Theory, Cultural Practice and Musical Performance.

within the New Guitarscape, Kevin Dawe argues for a re-evaluation of guitar stories within the mild of newer musical, social, cultural and technological advancements that experience taken position round the device. the writer considers exact examine of the guitar in either modern and cross-cultural views is now totally crucial and that the sort of learn should also comprise dialogue of quite. a lot of theoretical matters, literature, musical cultures and applied sciences as they arrive to endure upon the software. Ashgate Popular and Folk Music Series) PDF.

In The New Guitarscape, Kevin Dawe argues for a re-assessment of guitar studies in the light of more recent musical, social, cultural and technological developments that have taken place around the instrument. The author considers that a detailed study of the guitar in both contemporary and cross-cultural perspectives is now absolutely essential and that such a study must also include discussion of a wide range of theoretical issues, literature, musical cultures and technologies as they come to bear upon the instrument. Dawe presents a synthesis of previous work on the guitar, but also expands the terms by which the guitar might be studied. Moreover, in order to understand the properties and potential of the guitar as an agent of music, culture and society, the author draws from studies in science and technology, design theory, material culture, cognition, sensual culture, gender and sexuality, power and agency, ethnography (real and virtual) and globalization. Dawe presents the guitar as an instrument of scientific investigation and part of the technology of globalization, created and disseminated through corporate culture and cottage industry, held close to the body but taken away from the body in cyberspace, and involved in an enormous variety of cultural interactions and political exchanges in many different contexts around the world. In an effort to understand the significance and meaning of the guitar in the lives of those who may be seen to be closest to it, as well as providing a critically-informed discussion of various approaches to guitar performance, technologies and techniques, the book includes discussion of the work of a wide range of guitarists, including Robert Fripp, Kamala Shankar, Newton Faulkner, Lionel Loueke, Sharon Isbin, Steve Vai, Bob Brozman, Kaki King, Fred Frith, John 5, Jennifer Batten, Guthrie Govan, Dominic Frasca, I Wayan Balawan, Vicki Genfan and Hasan Cihat Örter.