eBook Ohne Eigenschaften: Das Portrait bei Gerhard Richter (German Edition) download
by Susanne Ehrenfried
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Author: Susanne Ehrenfried
Publisher: Springer; 1 edition (July 14, 1997)
Language: German
Pages: 242
ePub: 1653 kb
Fb2: 1743 kb
Rating: 4.9
Other formats: mobi docx lrf lit
Category: Art and Photo
Subcategory: Individual Artists
Ohne Eigenschaften: das Portrait bei Gerhard Richter. Libraries near you: WorldCat.
Ohne Eigenschaften: das Portrait bei Gerhard Richter.
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das Portrait bei Gerhard Richter. by Susanne Ehrenfried. Gerhard Richter (1932-). Published 1997 by Springer in Wien, New York. Art and photography, Criticism and interpretation. Includes bibliographical references (p. 230-239).
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Gerhard Richter; Atlas der Fotos Gerhard Richter; Portraits. Ehrenfried, Susanne: Ohne Eigenschaften; Das Portrait bei Gerhard Richter
Gerhard Richter; Atlas der Fotos Gerhard Richter; Portraits. Flensburg: Museumsberg, 2006. Ehrenfried, Susanne: Ohne Eigenschaften; Das Portrait bei Gerhard Richter. Wien: Springer, 1997. The result is a book that is simply indispensable for anyone concerned with modernist painting and sculpture and the task of art criticism in our time. Susanne Ehrenfried, Benjamin Bergmann: In: On photography. Springer, Wien, New York 1997, ISBN 3-211-82964-4 (zugl. Susanne Ehrenfried: In: M + M collateral profit, Frankfurt am Main : Revolver, Archiv für Aktuelle Kunst, 2004. Kerber, Bielefeld, Berlin 2013, ISBN 978-3-86678-861-9, S. 138–141. Susanne Ehrenfried, Matthias Mühling: In: Playtime. Eine Kooperation der Städtischen Galerie im Lenbachhaus mit Munich Re zum Thema Arbeit.
Susanne Ehrenfried, Ohne Eigenschaften: Das Portrait bei Gerhard Richter, Vienna and New York . Between 1962 and 1968 Richter persued a portrait practice based exclusively on media-derived and family photographs
Susanne Ehrenfried, Ohne Eigenschaften: Das Portrait bei Gerhard Richter, Vienna and New York 1997, p. 189, illustrated. Dietmar Elger, E. Gerhard Richter: Catalogue Raisonné 1962-1968, Vol. I, Ostfildern 2013, p. 195, no. 80-11, illustrated in colour. Between 1962 and 1968 Richter persued a portrait practice based exclusively on media-derived and family photographs. Seeking to explore the ambiguity that exists between the alleged objectivity of a photograph and the inherent artifice of painting, he chose to use photographic source material rather than paint from life.
Robert Musil, Der Mann ohne Eigenschaften, Rowohlt Verlag, Berlin, 1957.