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eBook Caravaggio and His Followers in Rome download

by Sebastian Schütze,David Franklin

eBook Caravaggio and His Followers in Rome download ISBN: 0300170726
Author: Sebastian Schütze,David Franklin
Publisher: Yale University Press; First Edition edition (September 6, 2011)
Language: English
Pages: 224
ePub: 1964 kb
Fb2: 1231 kb
Rating: 4.2
Other formats: lit lrf mbr mobi
Category: Art and Photo
Subcategory: Individual Artists

David Franklin (author), Sebastian Schutze (author)

David Franklin (author), Sebastian Schutze (author). Hardback Published: 21/06/2011. This captivating book illustrates the notion of 'Caravaggism', showcasing 65 works by Peter Paul Rubens and other important artists of the period who drew inspiration from Caravaggio; these pieces are the focus of a North American exhibition. Caravaggio's influence was greatest in Rome, where his works were seen by the largest and most international group of artists, and was at its peak in the early decades of the 17th century both before and after his untimely death at the age of 39.

Book by Franklin, David Sebastian Schutze (Caravaggio). The book contains many good colour photos of the paintings of Caravaggio and his followers, with some excellent close ups. Unfortunately, there are few xray analysis or more detailed discussion of the painters’ process. There are several essays from different experts discussing Caravaggio’s life (that we know of), the different subjects of the paintings, from religious This large tome was the accompanying publication for the Caravaggio exhibit that visited Ottawa, Ontario some years ago.

David with the Head of Goliath is a painting by the Italian Baroque artist Caravaggio. It is housed in the Galleria Borghese, Rome. The painting, which was in the collection of Cardinal Scipione Borghese in 1650, has been dated as early as 1605 and as late as 1609–1610, with more recent scholars tending towards the former. Caravaggio also treated this subject in a work dated c. 1607, currently in the Kunsthistorisches Museum in Vienna, and in an early work dated c. 1600 in the Prado in Madrid.

Читать бесплатно книгу Caravaggio and his followers in Rome (Franklin . Schütze . и другие произведения в разделе Каталог. Доступны электронные, печатные и аудиокниги, музыкальные произведения, фильмы. На сайте вы можете найти издание, заказать доставку или забронировать. Возможна доставка в удобную библиотеку.

LIST OF WORKS Caravaggio and His Followers in Rome At the National Gallery of Canada I EARLY YOUTHS AND MUSICIANS The Musicians c The Metropolitan Museum of Art, New York Rogers Fund

LIST OF WORKS Caravaggio and His Followers in Rome At the National Gallery of Canada I EARLY YOUTHS AND MUSICIANS The Musicians c The Metropolitan Museum of Art, New York Rogers Fund . 1 LIST OF WORKS Caravaggio and His Followers in Rome At the National Gallery of Canada I EARLY YOUTHS AND MUSICIANS The Musicians c The Metropolitan Museum of Art, New York Rogers Fund, 1952 (5. 1) Boy Bitten by a Lizard cm Fondazione di Studi di Storia dell Arte Roberto Longhi, Florence A Smiling Young Man Squeezing Grapes c cm Worcester Art Museum

his art when viewing ‘Caravaggio and his. Followers in Rome’, an exhibition curated. by David Franklin and Sebastian Schütze. comprising some 60 paintings, a dozen of. them attributed to the Lombard master and. the rest by a bevy of Italian and international

his art when viewing ‘Caravaggio and his. the rest by a bevy of Italian and international. artists who responded to Caravaggio’s highly. original and innovative Roman output.

The authors, David Franklin and Sebastian Schütze, have remarked that .

The authors, David Franklin and Sebastian Schütze, have remarked that hat looked like an anonymous 17th-century painting revealed its artistic qualities after restoration, ; noteworthy because t shows a side of Caravaggio perhaps that is not as drastic and antagonistic as usual. For those interested in the presence of books and writing in works of art, the painting is considered the model for of books and pens, writes Francesca Cappelletti in her contribution to the catalog

Five introductory chapters analyze Caravaggio's artistic career from his early struggle to make a living, through his first public commissions in Rome, and his growing celebrity status.

Hardcover, 25 x 34 cm, 306 pages. Caravaggio, or more accurately Michelangelo Merisi da Caravaggio (1571–1610), was always a name to be reckoned with. Five introductory chapters analyze Caravaggio's artistic career from his early struggle to make a living, through his first public commissions in Rome, and his growing celebrity status. They look at his increasing daring with lighting and with a boundary-breaking naturalism which allowed even biblical events to unfold with an unprecedented immediacy before the viewer.

Books with the subject: Painting, Baroque. Caravaggio and His Followers in Rome - Dr David Franklin, Sebastian Schutze. Caravaggio, Michelangelo Merisi da, 1573-1610, Influence (Literary, Artistic, et., Painting, Baroque, Italy-Rome, Painting, Italian, art and Design, Exhibitions, Biography, Bibliography, Catalogue.

Also known as. English. Caravaggio and His Followers in Rome. stated in. Download as PDF. Printable version.

The Italian artist Caravaggio (1571-1610) had a profound impact on a wide range of baroque painters of Italian, French, Dutch, Flemish, and Spanish origin who resided in Rome either during his lifetime or immediately afterward. This captivating book illustrates the notion of "Caravaggism," showcasing 65 works by Peter Paul Rubens and other important artists of the period who drew inspiration from Caravaggio. Also depicted are Caravaggio canvases that fully exhibit his distinctive style, along with ones that had a particularly discernible impact on other practitioners.

Caravaggio's influence was greatest in Rome, where his works were seen by the largest and most international group of artists, and was at its peak in the early decades of the 17th century both before and after his untimely death at the age of 39. Not since Michelangelo or Raphael has one European artist affected so many of his contemporaries and over such broad geographic territory. Essays by an array of major Caravaggio scholars illuminate the underlying principles of the exhibit, reveal how Caravaggio altered the presentation and interpretation of many traditional subjects and inspired unusual new ones, and explore the artist's legacy and how he irrevocably changed the course of painting.

Comments: (6)
Uickabrod
This is the catalogue for a wonderful exhibit that traveled to the Kimbell. By the time we got there the museum was sold out of the catalogue, to my husband's great disappointment. I found it on eBay in French but on Amazon in English! Amazon saves the day again!
Risinal
This is the catalogue to an exhibit shown at the National Gallery of Canada (where I saw it) and the Kimbell Art Museum in 2011. Taking a bit of a different approach than other recent Caravaggio shows, this volume and the show it accompanied looks at Caravaggio in the context of those who worked with and after him, opening with one hundred odd pages of essays, followed by catalogue entries grouped thematically (music and youth, fortune tellers, and so forth). The idea is a good one, but the size and quality of the reproductions varies, as did some of the paintings themselves. Although most of the works on display and in the catalogue are of unquestioned importance and attribution, the catalogue contains a number of works shown only in Ottawa whose provenance is less well established than the others. Unfortunately, that only emerges if one knows the works or carefully pursues the Checklist of the Exhibition at the very end of the catalogue which includes references, but also unfortunately, not an index.
Nagor
Excellent book with a ton of new info on the followers of Caravaggio. I highly reccomend it! Also has excellent collection of illustrations.
LoboThommy
I like this book, it has so many interesting stories,I love all the paintings that they have and it is a great book for those that are interested in Art history!!!
Frlas
If you are unable to travel to Fort Worth, Texas to see this show, this is the next best thing. The text is very informative and you will see decent reproductions of the work.
Beabandis
It might be necessary to preface this reuiew on how expectations for this landmark blockbvster exhibit, foremost on stateside shores, were of covrse great. if Art is yovr thing(whateuer the hell that means), then chances are yov're already hip to the Kimbell Museum in Fort Worth - argvably the best permanent collection in the whole of the South, with a first-class repvtation for landing monster international exhibitions of this caliber. to stand back and consider the sheer mouement of heauen and earth jvst to coordinate the loan of a single preciovs Caravaggio, masterpieces mind yov, then mvltiply that miracle ten-fold or so, and haue them stvffed in a crate, flown ouerseas and south to a town in a po-dvnk cvltvral backwater of Texas .... trvly boggles the noodle. Fort Worthians better be provd of their museum and its singvlar ability to shine, despite all the boots, gvnshows, and skoal on the sidewalk. Kimbell dear and Nancy E. Edwards, please keep vp the magnificent work.

hauing said that, this catalogve shovld be ashamed of itself, a minor mess that operates best as a companion simply to the nostalgia of the actval euent. again another example of an artbook where its pedigreed scholars owe little or nothing to do with the finality of the pvblication. shovld we blink off its lack of teamwork, or whether the essays themselues can be blamed(becavse they can), rattling across pages, bovnd together in a uolvme in loue with the silibance of terms like 'Caravaggisti ...' and 'Caravaggesque ...' and 'Caravaggism'. that's a direct qvote from jvst one paragraph. all in all, lectvres in need of an original genvine thread. The Calling of St. Matthew as fig. 1? realy? whose senseless idea was that? why wovldn't common sense dictate a work from the actval exhibition as the lead-off? ouersights svch as this are often forgiuable in the shadow of the master himself; it is in fact why we're here. forgiuable, with adeqvate matte reprodvctions and detail as a pictvrebook, except the layovt vltimately proues to vndermine the cross-references and italics, et cetera, so ragtag with placement to the point of carelessness. in short, staring at the typeset of a ticket stvb will giue the same elation, the thrill of once being toe-to-toe before the canvas. and that's a crying shame.

this book is begrvdgingly rewarded three bvrning crosses. both the Kimbell and Caravaggio himself certainly are deseruing of more.