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by Charles Green

eBook The Third Hand: Collaboration in Art from Conceptualism to Postmodernism download ISBN: 0868405884
Author: Charles Green
Publisher: UNSW Press (2001)
Pages: 248
ePub: 1952 kb
Fb2: 1303 kb
Rating: 4.3
Other formats: lrf mobi docx doc
Category: Art and Photo
Subcategory: History and Criticism

In The Third Hand, Charles Green offers a sustained critical examination of collaboration in international contemporary art, tracing its origins from the evolution of conceptual art in the 1960s into such stylistic labels as Earth Art, Systems Art, Body Art, and Performance Art. During this.

In The Third Hand, Charles Green offers a sustained critical examination of collaboration in international contemporary art, tracing its origins from the evolution of conceptual art in the 1960s into such stylistic labels as Earth Art, Systems Art, Body Art, and Performance Art. During this critical period, artists around the world began testing the limits of what art could be, how it might be produced, and who the artist is. Collaboration emerged as a prime way to reframe these questions.

The lone artist is a worn cliche of art history but one that still defines how. In The Third Hand, Charles Green offers a sustained critical examination of collaboration in international contemporary art, tracing its origins from the evolution of conceptual art in the 1960s into such stylistic labels as Earth Art, Systems Art, Body Art, and Performance Art.

In The Third Hand, Charles Green offers a sustained critical examination of collaboration in international contemporary ar.

In The Third Hand, Charles Green offers a sustained critical examination of collaboration in international contemporary art. eISBN: 978-0-8166-9233-0. Subjects: Art & Art History. During the late 1960s and early 1970s, a key group of conceptual artists worked within artistic collaborations that were the result of much more than a generational rejection of the conventional: The corporate nature of these collaborations was a definite response to specific artistic problems that had preoccupied the artists-Ian Burn, Mel Ramsden, Joseph Kosuth, and others-in their individual.

Charles Green, The Third Hand: Collaboration in Art from Conceptualism to Postmodernism, UNSW Press, p140. Toril Moi, Henrik Ibsen and the Birth of Modernism: Art, Theater, Philosophy, Oxford University Press, 2006, p114. a b Tracy C. Davis, Thomas Postlewait, Theatricality, Cambridge University Press, 2003, p20. ISBN 0-521-01207-4.

The lone artist is a worn cliche of art history but one that still defines how we think about the production of art. Since the 1960s, however, a number of artists have challenged this image by embarking on long-term collaborations that dramatically altered the terms of artistic identity.

The Third Hand: Collaboration in Art from Conceptualism to Postmodernism In Art After Modernism: Rethinking Representation, ed. Brian Wallis, 87–103. New York: The New Museum of Contemporary Art. Google Scholar.

The Third Hand: Collaboration in Art from Conceptualism to Postmodernism. Minneapolis: University of Minnesota Press. Comic Strips and the Making of Meaning: Emotion, Intersubjectivity and Narrative Drawing. University of the Arts London. Rewriting History: Artistic Collaboration since 1960. In Artistic Collaboration in the Twentieth Century, ed. Cynthia J. McCabe, 63–87. In Art After Modernism: Rethinking Representation, ed.

Collaboration in Art from Conceptualism to Postmodernism. Published February 2001 by University of Minnesota Press.

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